AJA KONA LHe - $1,495.00

KONA LHe Hardware Acceleration
Final Cut Pro users will love DVCPROHD, HDV, and Apple RT Extreme hardware acceleration, developed in close cooperation with Apple and available exclusively on KONA LHe. KONA LHe hardware takes a portion of the codec processing load off the CPU, allowing more RealTime (RT) effects in Final Cut Pro 5 when outputting. KONA LHe also has hardware support when capturing. This brings amazing RealTime HD production power to the desktop. With KONA LHe, any source can be captured using the DVCPROHD codec - giving you online HD quality at remarkably low data rates, allowing the internal PowerMac SATA storage to be used for HD capture, playback and RT effects. Of course, you'll obtain still better performance and more RT when using a fast SCSI or Fibre array, but this feature allows HD to be used where only SD would have been considered because of budget or time constraints. KONA LHe even supports the DVCPROHD and HDV codecs with downconversion - allowing projects to be downconverted to SD.

How Does KONA LHe Accelerate DVCPROHD, HDV & Apple's Dynamic RT?
Because KONA's precision hardware does part of the work, the G5 has more time available to process RT effects. This means more RT-effects power and more RT streams. Most broadcast codecs, including DVCPROHD and HDV, use a two-step process. The video is first scaled to a lower horizontal pixel count, and then the video is compressed. This is done because the slightly scaled video results in a favorable trade-off between resolution and codec efficiency. KONA LHe's hardware not only dramatically speeds up the scaling part of the job, but it's also done with full 10-bit broadcast quality. When using the Final Cut Pro 5 HDV codec, KONA LHe's hardware acceleration allows instantaneous RT playback for both monitoring and recording. Even KONA's downconverter works in realtime with HDV, allowing SD monitoring, dubs or mastering. This KONA LHe functionality makes HDV a fully professional solution. The Panasonic DVCPROHD format takes advantage of KONA hardware as well. KONA's precision hardware allows capture and playback of HD-SDI video to and from the DVCPROHD codec at a quality level virtually indistinguishable from native FireWire, while freeing up valuable RT processing power. For Final Cut Pro 5's Dynamic RT feature, KONA's hardware is used to offload the video scaling as the "Playback Video Quality" dynamically adjusts. This allows more playback power - and because KONA handles it seamlessly, the Dynamic RT you see on the Mac monitor is the same as that shown on your professional broadcast monitor.

KONA LHe Supports Final Cut Multi-Cam Feature
Final Cut Pro 5 now provides multi-cam playout - and KONA LHe supports it! With KONA hardware and a sufficient storage solution, you can handle up to 16 sources in realtime. Each stream of video is captured individually and then ganged together in Final Cut Pro 5 for a multi-cam editing workflow. The KONA LHe hardware seamlessly plays the multi-cam clips out to professional broadcast monitors or decks, via SDI, HD-SDI or component video. Up to 16 sources can be viewed in realtime via the KONA (4-up, 6-up, 9-up, 16-up, etc.), or each individual source can be viewed as it is selected via Final Cut Pro 5.

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