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Avid Liquid.
Editing. Audio. DVD. Effects. One Application.
Avid Liquid software is a powerful SD and HD video editor for the PC
that offers integrated DVD authoring, surround sound audio processing,
and thousands of amazing real-time effects. Its integrated toolset
provides all of the tools needed to create high-quality productions and
quickly output to tape, DVD or web streams.
Avid Liquid
product brief
Editing.
Audio. DVD. Effects. One application
Avid Liquid combines powerful video editing integrated
with DVD authoring from the timeline; surround-sound audio processing;
and powerful visual effects. Editors only have to learn a single
interface to create high-quality video productions with sophisticated
effects and audio—and quickly output to tape, disc, or streaming media.
Complete HDV
workflow
Avid Liquid offers native transfers and frame-accurate
editing of 720p and 1080i HDV content. It also includes an MPEG IBP
render codec that provides the same 25Mbit workflow editors use with DV
media. It features a powerful real-time effects engine that provides
multiple streams of HDV in real time; video monitoring either on the
VGA monitor or downconverted to an SD monitor in real time using the
available breakout box; and, most important, a smooth workflow for
output to SD or back to HDV tape.
Format
flexibility
Avid Liquid supports the Avid Open Timeline: mix
content from a variety of sources without having to transcode between
formats. Videographers can edit DV, MPEG I-frame, MPEG IBP,
uncompressed SD, Windows Media, DIVX and MPEG-4, as well as HDV, in the
same timeline. With such a broad palette of native codecs, editors can
spend more time creatively editing instead of re-rendering from format
to format.
Smooth DVD
production
Using Avid Liquid Pro software and hardware, editors
can capture footage to a DVD-compliant MPEG IBP codec. They can add
titles and effects and then dive into a full-featured DVD authoring
toolset to define the interactivity; create and customize menus and
navigation; preview and modify the DVD from the timeline; add a Dolby
Digital 5.1 surround mix; and then intelligently render out to a
finished DVD.
Editing for
everyone
Avid Liquid software offers a flexible user interface
and functions that match any level of editing experience. As users move
from other consumer-level or professional-level applications, the
transition is smooth and efficient.
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Avid Liquid
Features
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Feature
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Integrated DVD authoring
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Function
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Author interactive DVDs from the timeline |
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Benefit
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Capture from, and output to, professional
decks, including:
BetacamSP, Digital Betacam, HDCAM, DVCPRO, DVCPRO HD, D5 |
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Feature
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Native HDV editing
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Function
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Edit pure, native HDV video streams |
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Benefit
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Maintain high quality by avoiding multiple
generations and
time-consuming transcoding |
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Feature
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GPU real-time effects
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Function
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Avid Liquid software uses the Graphics
Processor to process
real-time effects |
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Benefit
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By using both the CPU and GPU (graphics
processor) to
calculate real-time effects, Avid Liquid software maximizes real-time
processing while editing; more real-time power provides the freedom to
preview multiple creative directions |
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Feature
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Avid Open Timeline
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Function
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Mix HD and SD resolutions in a single
timeline |
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Benefit
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Mixing HDV and SD codecs gives editors the
flexibility to
work with a broad spectrum of content, avoid transcoding and renders,
and maintain quality |
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Feature
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Dolby Digital 5.1 support
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Function
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Mix and finish to Dolby Digital 5.1 |
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Benefit
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The Avid Liquid audio engine enables
real-time audio mixing
including Dolby Digital 5.1; special surround panners provide perfect
control of surround mixes in realtime |
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Feature
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Multicamera editing
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Function
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Choose edits from up to 16 cameras |
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Benefit
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Make multicamera edit decisions in real-time;
select camera
angles as the clip plays back; easily compare takes |
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Feature
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Secondary color correction
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Function
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Choose specific colors to correct within a
clip |
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Benefit
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Select a single color to correct within a
shot; for example,
change red to blue and make everything else black and white;
multi-point tone and color balancing offer both color correction and
creative color capabilities |
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Feature
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VST plug-ins support
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Function
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Support for industry-standard audio effects
plug-ins |
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Benefit
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Add audio effects and tools written to the
audio
industry-standard VST plug-in specification |
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Feature
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Background rendering
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Function
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Avid Liquid software renders effects in the
background
without interrupting the edit |
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Benefit
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Create complex composites and layered effect;
preview effects
in real-time; if final renders are required, Avid Liquid software will
finish the effect without interruption by a render progress bar |
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Feature
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Avid Liquid Pro breakout box
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Function
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Provides IEEE-1394, composite, component and
S-video video
I/O; stereo and S/PDIF audio I/O as well as surround sound monitoring
via a USB-2 connection |
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Benefit
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Choose the video and audio connection that
suits the footage
and the equipment available; the breakout box adds access to the
uncompressed codec for high-quality output and MPEG IBP captures at
DVD-compliant bit rates for streamlined DVD production |
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Avid Liquid Tech Specs
New in version 7
- Integrated SmartSound support
- Native playback of WM9, DivX 5 & MPEG-4
- Native playback of muxed audio/video without the need to demux in
advance: DV AVI, WM9, MPEG PS, DivX5, MJPEG AVI
- “EZ capture” - separate tool to capture muxed files to a
user-specified file location. IEEE1394 device control only. Includes
content based scene detection. Capture formats: MPEG2 (DVD/SVCD), MPEG1
VCD preset, DV to MPEG, DV, HDV, DivX5
- Single monitor project layout for optimized single screen display
- RT linear timewarp, (must be the first effect on source)
- Improved and extended export: more formats & presets, easier
unified UI additionally supporting DivX 5, MPEG 4, Real, etc
- RT Image Stabilizer
- Commotion Clip FX (56 effects)
- Blurs and Sharpen: Blur, Channel Blur, Edge Blur EZ, Edge
Blur, Motion Blur, Radial Blur, Sharpen, Super Blur, Unsharpen Mask.
- Channel: Shift Channels
- Color Correct: Color Balance HLS, Color Balance RGB, Color
Map, Replace Color, Tint.
- Distort: Corner Pin, Hall of Mirrors, Mirage, Turbulence,
Turbulence EZ, Turbulent Edges.
- Image Control: Brightness and Contrast, Invert, Levels,
Posterize, Threshold.
- Keying: BlueScreen Key, Color Key, GreenScreen Key, LumiKey,
Smooth Screen, Spill Killer, Spill Killer EZ.
- Matte: Edge Finder, Edge Finder EZ, Matte Feather, Matte
Feather EZ, Matte Feather Sharp.
- Noise: Channel Noise, Median, MinMax, Noise
- Particles : Fractal Clouds, Fractal Fire, Fractal Tunnel
- Stylize : Alpha Ramp, Drop Shadow, Emboss, Framer, Grunge,
Mosaic, Real Shadows, Video Feedback.
- Video: Broadcast Safe Colors, Field Blend, Field Swap.
- New RT effects: DreamGlow, Soften, DuoChrome, Lighting, RGB Color
Balance, White Balance, Turbulent Edges
- Studio 10 project import (Studio 9 projects must be converted to
10 first)
- SD output of HD timelines with RT downcovert on Avid Liquid Pro
breakout box - requires latest graphics driver (ATI catalyst 5/10)
- Fullscreen monitoring on 2nd DVI head (monitors must be identical
resolution)
- Timecode display in separate sizeable floating window
- WMV (XPM) surround 5.1 export
- Scaling size and aspect in clip properties
- Capture from JVC GY-HD 100 with 720/25p (no 24p or rec to tape
support)
- Separate insert buttons for Overwrite/Filmstyle
- Clean up (trash can functions in project menu)
- “Broadcast Option” features included in all products – MXF
support, P2 support, XDCAM support
Supported hardware:
Capture and output:
- Avid Liquid Pro (YUV/RGB input only supported in Logging Tool)
Not supported:
- Moviebox USB
- Liquid v5 Pro option (ATI 8500)
For all issues with realtime performance, always check for the
latest graphics card driver. For laptops check for the mobility drivers
from the graphics manufacturer instead of the laptop provider.
Supported languages
English, German, French, Spanish, Italian, Dutch, Chinese simplified
Codec/format support
- RT playback: DV/DVCPRO 25, HDV, IMX, MPEG I/IBP 422P/ML@ML/HL,
DVCPRO 50, SD/HD Uncompressed, WM9, DivX, MPEG-4
- Native capture (IEEE1394): DV/DVCPRO 25, MPEG2 IBP (MP@ML/HL),
HDV
- Encode capture: DV/DVCPRO 25, MPEG2 IBP (MP@ML), Uncompressed SD,
Uncompressed HD, DivX 5, DV to MPEG
- Render: DV/DVCPRO 25, MPEG2 I/IBP MP@ML/HL, 422P@ML, DVCPRO50,
SD/HD Uncompressed
- Fuse: DV/DVCPRO 25 (MXF, DIF, AVI), MPEG2 I/IBP MP@ML/HL, 422P@ML
(M2V, MXF), DVCPRO 50 (MXF,DIF), SD/HD,Uncompressed (YUV, 2VUY), WM9,
DivX, MPEG-4
- Import of several audio formats: MP3, WAV, MPA, WMA. 32 bit float
audio support
- Import of wide variety of standard graphics formats: BMP, TGA,
TIF, PNG, PCD, PSD, PCX, BSI, JPG. LZW compression supported for Tiff
import.
- Import of QuickTime and AVI movies
- Support for greater than video sized graphics with pan and scan
(with classic effects editors)
- MXF: Capture/playback/fuse non-multiplexed MXF (MPEG I frame).
Export multiplexed MXF, (MPEG I and IBP)
- Native P2 MXF support (playback/edit on P2 cartridge)
- DV MXF support
- XSend P2
- XDCAM FAM mode support
- XReceive/XSend eVTR
Media Management
- Flexible GUI for all resolutions, scalable to 1024x768, 1280x1024
or 1600x1200, full size Source and Program windows at 1280x1024 or
1600x1200
- Hierarchical data management with racks and folders, desktop as
workspace
- Different text and picon display modes for clips
- Consolidate streams and Condense functions
- Tag media function for identifying used media in sequences and
projects
- Clip Sync for resyncing video and audio tracks
- EDL import and export (GVG, Sony 9100, CMX 3600)
- ALE import and export
- OMF output
- Advanced search tool
- Import of Video Machine projects
- Project and media compatibility between different Pinnacle Liquid
stations
- XReceive function for individual import interface (SDK available)
- In media tab sorting of projects in left window
- XML exchange of project (no racks supported),clips and sequences
(Export optional)
- Pinnacle Studio interoperability
Logging
- Ingest Tool for file ingest and “edit while capture” on another
Liquid system
- RapidCapture in Logging Tool - discard captures clips with a
duration lower than "n"
- Full logging tool with 1394/DV machine control, RS-232/422
control
- Digitize to timeline with insert and overwrite, scrub timeline
while in logging tool.
- Extended metadata fields with auto naming and auto increment
- Adjust audio levels on capture (non-destructive)
- Timeline viewer in Logging Tool
- Direct file import from Sony DSR-DU1 HD DV Recorder (XReceive
Feature)
- Scene detection based on metadata (timecode) or on video content,
automatic creation of new sub-clips
Editing
- Control (de-/activate) playback of video and audio tracks in
source/clip viewer with button or keyboard
- Display of source timecode at Playline position in Timeline under
the trackname
- Mark clips used in sequence
- Select clip in timeline with keystroke
- Mark clip: Set Mark In/Out in timeline around clip(s) under
playline.
- Capture to Timeline -> Source Track Mapping in Logging Tool.
- Delete render and prerender files with "delete project incl
.media”
- Goto position by entering timecode in empty timeline
- Fast scrubbing on the timeline with very fluid interaction
- Unlimited number of timeline tracks for video, audio, graphics
and titles
- Desktop Storyboarding
- Filmstyle and Overwrite mode
- 3-Point Editing
- 4 point editing (auto-apply timewarp)
- Optimized 4-point insert
- Drag and Drop Editing
- Trim Editor with slip and slide
- Direct Timeline trimming
- Playline loop playback
- Match Frame, Match frame to project and to tape
- Extend Edit
- Move/Copy Range
- Add Dissolve
- Track SyncLock
- JKL shuttle
- Hardware Jog/Shuttle control (optional USB based)
- Container function (virtual mixdown) for advanced non-destructive
compositing or management of long/multi-user projects
- Updated heads and tails at cutting clips
- Fullscreen viewer on VGA/DVI output monitor
- Replace clip (Use the "Ctrl" key to force replacement)
- Insert audio on separate tracks with drag & drop insert to
timeline
- New advanced sequence dialog settings
- Multicam editing
- Input wizard (incl. scan for all media types)
- Output wizard
- Presets for Studio and Premiere (keyboard, toolbar)
- Backup/restore projects and media
- Modify clip properties on multiple selected clips
- Unlimited subtracks in timeline
Effects
CPU/GPU RTFX:
- Real-Time Effects in 2D and 3D: 10+ (on optimized CPU/GPU) DV
streams of effects plus graphic overlays, seamlessly mix of 2D and 3D
effects
- 2D transition effects include: DVE (move, scale, rotate, borders,
soft shadows, cropping), Blur, Chroma Keying, Color Correction and
pseudo-3D transformation (move, scale, rotate, skew in 3D)
- 2D clip effects include: Chroma Keying (real-time blue/green
screen processing), YUV Color Correction, RT filters such as Posterize,
Solarize, Mosaic and Cropping
- 3D transition and clip effects of all different kinds
- CPU based transitions: Dissolve, Dissolve through color, 2D DVE
editor, 3D DVE editor, Gradient Wipe, Gradient Wipe with Border
- CPU based clip effects: 2D DVE editor, 3D DVE editor, Base Color
Correction (YUV), Black and White, Blur, Chroma Keyer (YUV), Luma
Keyer, Invert, Posterize, Roll/Crawl
- GPU Based Transitions: 2D DVE editor, 3D DVE editor, Page Curl,
Page Peel, Cross Dissolve, Water Drop, Water Wave, Magnify, Replicate,
Band Wipe, Barn Doors, Clock Wipe, Inset, Iris Cross, Iris Diamond,
Iris Round, Iris Square, Push, Radial Wipe, Slide, Wedge Wipe, Wipe,
TrackMatte
- GPU Based Clip Effects: 2D DVE, 3D DVE, Page Curl, Page Peel,
Lens Flare, Magnify, Multishape Crop, Multishape PIP, Multishape
Spotlight, Replicate, Water Drop, Water Wave, Color Adjust, Scale Crop,
swirl, shards, sphere, tile, Accordion, Bevel Crystal, Cracked Slab,
Falling Crystals, Curtain, Cylinder, Explosion, Reflection, Stained
Glass, swirl, shards, sphere, tile
- Hollywood Effects
- NOTE: GPU Based effects require the use of a certified graphics
card and driver.
Background Rendered Effects
- Add dissolves on all edits on active tracks between Mark In/Out
on timeline
- High quality software render effects: 2D and 3D DVE with inside
and outside borders, transparent soft edged drop shadows & Page
turns
- Luma/chroma key, blue/green key, RGB difference key, lasso key
with softness
- Clip effects including mosaic, posterize, solarize, and gaussian
blur
- Full wipe editor with softness, blur, inside and outside borders
- All Effect Editors with preview and unlimited keyframes (except
CC editor) with interpolation
- Linear TimeWarp for fast and easy speed changes, Fit to Fill
function
- Single click Freeze Frame function
- TimeWarp Editor for sophisticated dynamic slow/fast motion
effects, Strobe and Trailing effects
- Background processing of all effects, no waiting for rendering or
playout as DV, real-time effects can be background rendered when not
playing back.
- Sub pixel effects processing at rendering with user assignable
quality levels
- Real-time non-destructive primary color correction on clips with
RGBL high, mid and low, HLS
- Color effects including brightness, contrast, hue, luminance,
saturation, RGB gain, equalization, gamma
- Color Correction Editor (Option) with: Primary Color Correction
with RGBL high, mid and low, HLS plus Auto White Balance, Histogram-
and Hue-match, Legalizer, Tone-, Gray-, Color-balance etc. Secondary
Selective Color Correction with color vector based or selective
correction.
- Full frame vectorscopes including waveform, histogram, cube,
Lightning & vectorlight
Additional Effect Features
- Integrated TitleDeko title generator for still, roll and crawl
titles
- Adobe Premiere®—compatible plug-in interface for plug-ins
such as Ultimatte and Boris FX Red
- Containers for nesting complex effects
- Display keyframes of other editors (option in editor menu of RT
FX)
- Matte-tracks on timeline
- Clip effects can also be video track effects
- Classic effects included in CPU RT FX: 2D, 3D (no trailing
supported)
- Parameter curve keyframe editing
- Channel processing (blur, gaussian blur, 2d/3d (clip/trans.),
invert, position, posterize)
- Individual effects quality control in RT effects editors
- Privacy effects: Blur and Mosaic RTFX with cropping.
Audio
- Advanced audio track mode (mono/stereo)
- Advanced audio mixer
- Audio track effects
- Send buses
- Advanced audio routing
- VST Plug In support
- Audio timewarp (incl. in video timewarp)
- Dolby Digital 5.1 and virtual surround with AC3 encoding for DVD
export
- Surround mixer and output
- ASIO host, support of all ASIO compatible soundcards
- Adjustable digital audio scrubbing, also at trimming
- Real-time playback of up to 16 audio tracks
- Immediate Waveform display (mono/stereo) in Clip/Source Viewer
and Timeline
- Rubberband editing for volume and panning
- Advanced audio editing tools (auto fade, dB tooltip etc.)
- Virtual audio mixing console with groupable fader
- Audio Mix Automation function
- Real-time parametric 3-band equalizer, echo and maximizer
- VoiceOver function, full duplex
- Midi support for external audio fader
- Customizable audio output routing
- Insert stereo audio clips separated (or combined) to the timeline
DVD/SVCD/VCD Authoring
Integrated DVD Authoring
- SVCD support
- Export to DVD: auto loop playback for single stream DVD
- IPB settings: Constant (CBR), Storage (StorVBR), Statistical VBR
(StatBVR),
- Advanced IPB File Source analysis: Allow all valid DVD video
sizes (improved VCD check); support of NTSC 704*480, 352*480, 352*240
and PAL 704*576, 352*576, 352*288 DVD video sizes for ES or PS MPEG-2
IPB source-files
- Easy timeline based authoring with drag & drop, incl. DVD
wizard, templates, linkage editor, preview, title save
- Absolute and relative chapter marks, automatic links,
autoloop/autostart w. timeout
- Multiple linkable menus, incl. motion backgrounds and buttons,
complete menu editor, menu snapshot, editable highlights, “.psd” menu
support
DVD export features:
- HDV support: advanced profile/level/bitrate setting for custom
video sizes; (Note: HDV support doesn’t mean, that Liquid supports
HD-DVD; all video sizes will be converted to the standard PAL/NTSC DVD
needed sizes or the standard (S)VCD sizes by the DVD Export)
- Splicer integration for native IPB export
- Dual Layer support (all CD/DVD media capacities, incl. 8.5 GB)
- miniDVD
- 16:9 Menu
- Set disc volume name
- No menu needed for single stream export with timeout=0
(auto-play): video starts immediately (no autoplay-loop)
- Advanced audio bitrate setting (64-448)
- Handling of more than 99 titles per disc / handling of more than
99 chapters per title
- Native IBP files do not need to be re-encoded at export
- HD support: advanced profile/level/bitrate setting for custom
video sizes; support of 422P@HL, MP@HL, 422P@ML, MP@ML (422 support
optional)
- (S)VCD image (.pdi)
- Set disc volume name for DVD, SVCD, VCD
Publishing
- Export to disc: including ES, PS, SVCD, VCD, VOB or DVD image
including burning up to 15 Mb/s
- Export to DVD/SVCD/VCD with editable presets for CBR and VBR MPEG
encoding, burn to multiple discs, disc capacity calculator
- Fuse sequence (copy process, faster than real-time)
- Export to AVI, WMF, MPEG2 IBP, QuickTime, DivX, WMV, Real, Mpeg4,
etc...
- XSend to, After Effects (incl. timeline compositing), , or
others, either as fused clip or combination of source clips
- XSend to WaveLab
- XSend SDK
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Avid Liquid System
Requirements
Avid Liquid - DV and MPEG-2 IBP
SD Editing
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Minimum
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Recommended
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CPU
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Intel Pentium ® 4 Processor 1.8GHz
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Intel Pentium ® 4 Processor 3.0GHz or 2 X
2.2 GHz or
better
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OS
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Microsoft ® Windows® XP Professional
or Home Edition
(SP1 or SP2)
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Microsoft ® Windows® XP Professional
(SP1 or SP2)
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RAM
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512MB RAM
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1GB RAM
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Graphics Card
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AGP 4X Graphics Card with 64MB RAM,
DirectX® 9 Hardware
Support
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AGP 8X Graphics Card with 128MB RAM,
DirectX® 9 Hardware
Support
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Additional
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Soundcard, OHCI-compatible IEEE 1394 card.
Microsoft DirectX
® 9 Software, DVD-ROM (required for software installation)
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Soundcard, OHCI-compatible IEEE 1394 card.
Microsoft DirectX
® 9 Software, DVD-ROM (required for software installation)
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Avid Liquid - HDV Editing (720p)
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Minimum
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Recommended
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CPU
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Intel Pentium ® 4 Processor 2.8GHz
(Hyperthreading
enabled)
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2 X 3.0 GHz or better (Hyperthreading enabled)
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OS
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Microsoft ® Windows® XP Professional
or Home Edition
(SP1 or SP2)
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Microsoft ® Windows® XP Professional
(SP1 or SP2)
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RAM
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512MB RAM
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1GB RAM
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Graphics Card
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AGP 8X Graphics Card with 128MB RAM,
DirectX® 9 Hardware
Support
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AGP 8X Graphics Card with 128MB RAM,
DirectX® 9 Hardware
Support
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Additional
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OHCI-compatible IEEE 1394 port, Microsoft
DirectX ® 9
Software, DVD-ROM (required for software installation)
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OHCI-compatible IEEE 1394 port, Microsoft
DirectX ® 9
Software, DVD-ROM (required for software installation)
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Avid Liquid - HDV Editing
(1080i)
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Minimum
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Recommended
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CPU
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Intel Pentium ® 4 Processor 3.0GHz
(Hyperthreading
enabled)
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2 X 3.0 GHz or better (Hyperthreading enabled)
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OS
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Microsoft ® Windows® XP Professional
or Home Edition
(SP1 or SP2)
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Microsoft ® Windows® XP Professional
(SP1 or SP2)
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RAM
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1GB RAM
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1GB RAM or better
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Graphics Card
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PCIe Graphics Card with 256MB RAM,
DirectX® 9 hardware
support
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PCIe Graphics Card with 256MB RAM or better,
DirectX® 9
hardware support
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Additional
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OHCI-compatible IEEE 1394 port, Microsoft
DirectX ® 9
Software, DVD-ROM (required for software installation)
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OHCI-compatible IEEE 1394 port, Microsoft
DirectX ® 9
Software, DVD-ROM (required for software installation)
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Avid Liquid FAQ
What is the difference between the Avid Liquid and Avid
Liquid Pro products?
The key difference is that the Avid Liquid Pro product comes with a
USB2 - based breakout box that provides composite, component , and
s-video I/O, along with stereo audio input and surround audio output.
Additional information on the breadkout box can be found on the Avid Liquid Pro features
page. In addition, the Avid Liquid Pro product supports capture to
uncompressed video and MPEG-2 IBP video. Avid Liquid software is a
software - only product that uses the computer's built-in 1394 port to
capture from DV or HDV cameras and decks.
What is the difference between the Avid Liquid and Avid
Liquid Chrome HD products?
The Avid Liquid Chrome HD product combines Avid Liquid software with
Avid Liquid Chrome HD hardware for standard - and high-definition
Serial Digital Interface (SDI) I/O. The different Avid Liquid Chrome
configurations also provide a variety of other professional I/O
formats. For more information on these connections, see Avid Liquid Chrome HD system
requirements . Other than the I/O, the Avid Liquid Chrome HD
product has the same Avid Liquid software interface as Avid Liquid
software, with the exception of configuration tools for the I/O. Note,
however, that the Avid Liquid Chrome product is currently shipping with
Avid Liquid version 6 software, while the Avid Liquid product is now
shipping at version 7.
Can I exchange projects between the Avid Liquid and Avid
Xpress Pro products?
Avid Liquid software does not support total conform with the Avid
Xpress Pro and Avid Media Composer families of products. Customers
looking for a workflow that includes conform on higher - end Avid
systems should start with Avid Xpress Pro software. Interoperability
that is supported includes: exchange of Avid bins using the ALE (Avid
Log Exchange) format; project output from Avid Liquid software to Avid
Xpress software using OMF, and project input and output between Avid
Liquid software and Avid Xpress software using industry standard EDLs.
What formats does Avid Liquid software support?
Avid Liquid v7 software can natively edit the following formats:
DV25, HDV, 1:1 (uncompressed SD and HD), MPEG-2 I-frame & IBP, WM9,
MPEG-4 and DivX.
Avid Liquid Chrome HD v6 software can natively edit the following
formats: DV25, HDV, MPEG-2 I-frame & IBP & 1:1 (uncompressed SD
and HD).
Can I work with film with Avid Liquid software ?
Avid Liquid software does not directly support film - based
workflows. Customers are advised to choose Avid Xpress Pro software for
this type of work.
What type of system do I need to run Avid Liquid software ?
Please see Avid Liquid
specifications for the latest system information on Avid Liquid
software. Key factors in choosing a system for Avid Liquid software
include: 1GB system memory, a latest - generation graphics card with at
least 128MB memory for SD operation and 256MB memory for HD , and a
USB2 controller for Avid Liquid Pro hardware. The Avid Liquid Chrome HD
product is only certified today on the HP XW8200 workstation.
Does Avid Liquid run on the Mac?
No. Avid Liquid software is a PC - only product. Mac customers
should consider Avid Xpress DV or Avid Xpress Pro software.
Why should I choose Avid Liquid software over competitors
in its category?
Avid Liquid software offers a host of advantages over similarly
priced products. Avid Liquid software offers an integrated environment
for editing, surround audio mixing, DVD authoring and thousands of
real-time effects. Avid Liquid software also offers flexible I/O
options, native HDV editing, support for multiple codecs in the
timeline, and a host of other features. |
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